PAGE 7
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LEARNING THE WAY
20" x 16" © virginia huber, 2004.
Sumi artist Machiko Kitayama had promised me a visit to
her atelier and also a methods demonstration. She would show
me how she reinforces her sumi paintings with two additional
layers of handmade paper. Machiko did this without a pucker or
a tear, and seemingly without effort. Machiko's art process is
a lot like a confident, graceful dance -- a memorable sight.
I took notes and then gave it a try. Had both Machiko and I not
been out of film, I would have a slew of photos to show of the
demo she did for me.
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PEAK MOMENT
24" x 18" © virginia huber, 2004.
My host and I had been expending considerable energy trying
to communicate with each other for almost a week now. It was
a relief to forget Japanese and English for a period of time.
We were now in an art studio and could communicate in the universal
language of art. Machiko Kitayama has a highly respected professional
history. In her atelier were exquisitely crafted scrolls and
panels retrieved from storage specially for my visit. At one
point Machiko made coffee for us and we sat down on the carpet
to look at her more recent art. She leaned a large multiple panel
piece against her work table, each panel lying on its side as
portrayed in this image. My eyes went from area to area and my
thoughts wandered as they do in meditation. Later in the week
I overheard Machiko telling a friend that the peak moment for
her in the week was "when Virginia meditated by my art."
That was my peak moment also.
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QUIET
16" X 20" © virginia huber, 2004.
My parents believed it was important to insist that children
have some "boring time" each day. That's what they
called it when we children complained. Their idea was that within
this "boring time" would come ideas and new areas of
rich life. When I grew into adulthood and became acquainted with
eastern philosophy, I learned my parents had something. Eastern
philosophers call this "empty" time as balanced with
"full" time. How many of us run a treadmill while listening
to music or reading a book so as not to be "bored"?
My parents would have advised against this as would eastern philosophers.
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ZENGA DISCOVERY
18" X 24" © virginia huber, 2004.
I remember one morning at Machiko's home there was some
free time. I browsed a bookshelf and found a book on the Zenga
("ga" means "art") art tradition - i.e.,
"zen art." I don't know how long I sat and looked at
the book, but excitement built up. I gathered the book close
to me and ran looking here and there for Machiko, calling her
name. I did a dance as I said in English, 'Machiko, I'm a zenga
artist!' Since I have returned to Wisconsin, I have read more
about zenga to acquaint myself with Buddist philosophers who
lived long ago.
The day I found a book on zenga art in the Kitayama family
library was like coming home for me. I am a zenga artist practicing
meditation and making art on a middle western prairie. I was
this long before I left for Saitama in 2002, but I didn't know
it.
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